crosstype relations ▸ see ▸ lii
SEE ↔ LII

SEE and LII: conflict

SEE and LII press on each other's sorest seat without meaning to. Conflict is the hardest of the sixteen: what LII and SEE each do most naturally is what the other can least afford to hear. The compatibility does not improve with closeness — this is the one relation that gets worse.

Hardest. Don't force it. Your lead function presses squarely on their sorest spot, and theirs on yours. Intriguing from a distance. Up close, it wears you both down.

notation:
SYMMETRIC ⇄

§1 Conflict (conflictor) relations — how the stacks collide

elementin SEEin LIIwhat happens
Sebase (1)vulnerable (4)SEE leads with LII's sore spot — constant, unintended pressure
Ficreative (2)role (3)SEE's craft is LII's obligation
Nerole (3)creative (2)SEE's duty, LII's craft
Tivulnerable (4)base (1)LII leads with SEE's sore spot — pressure from above
Nisuggestive (5)demonstrative (8)LII covers it in passing; SEE feeds quietly
Temobilizing (6)ignoring (7)LII has it and won't perform it; SEE wanted the performance
Siignoring (7)mobilizing (6)SEE has it; LII wants it — supply without showmanship
Fedemonstrative (8)suggestive (5)SEE covers it in passing; LII feeds quietly

slots, in one line: base & creative = native strengths · role = performed on demand · vulnerable = the sore spot · suggestive & mobilizing = what's wanted from others · ignoring & demonstrative = strong but not valued.

§2 In practice

Where it clicks

  1. The SEE gets the refund, the table, and the upgrade, working the clerk by first name. Any kind of push drains the LII. So they watch Se being applied like a trade skill, and quietly file the observation away.
  2. One page of the LII's framework untangles the SEE's whole contract dispute. Consulted from a distance, on a bounded question, that Ti is an oracle to the SEE: useful, brief, and not something you'd want to live with.
  3. At a party the two of them cover the whole floor. The SEE collects the people. The LII gets cornered by the one guest who wants a real argument, and keeps him happily occupied until midnight.
  4. Over one lunch, the SEE's creative Fi maps the client's loyalties: who owes whom, who's about to jump ship. The LII's own Fi is stiff role work, so the borrowed map spares them weeks of misreading people.
  5. One-off ventures suit them: the SEE opens the doors, the LII writes the terms. The alpha type finds the gamma push exotic, the gamma type finds the alpha rigor exotic, and for a while exotic is enough.

Where it grinds

  1. When the SEE decides something, it happens in the hallway, voice raised, right now. Under pressure that direct, the LII's vulnerable Se folds. They agree to things, then spend days quietly re-litigating the moment alone.
  2. Mid-story, the LII corrects the SEE's terms: that isn't technically a monopoly. The correction lands on vulnerable Ti and reads as a grade, not a favor. The SEE stops telling the LII how the business is going.
  3. Every plan the LII touches branches into four contingencies. The SEE's own possibility talk is a short performance. They want one door picked and walked through. All that branching sounds to them like stalling dressed up as thought.
  4. The relational demands never stop: call your mother, notice my day, take my side against the neighbor. The LII performs each one on request, and it costs them. The SEE senses the performance and pushes harder.
  5. They spend money in opposite tenses: the SEE buys the moment, the LII funds the structure. Each purchase the other makes looks like a category error. The joint account becomes an ongoing seminar that neither of them enrolled in.

§3 SEE with everyone